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    We live in an age when acoustic music is regularly translated into digital information that is often tweaked, edited and "managed" beyond all recognition.   Most studio recordings are the compilation of the best portions of three or four takes. Even performances "recorded live" are sometimes "revisited" in post-production in pursuit of perfection.  In my experience, the "perfect" performance rarely happens, so it's a bit daunting to present unedited live performances here (with the Bach D-Minor Concerto and the Saint-Saens Duos as the two exceptions) with the inherent bumps, background noises and coughs,  an
    d the odd wrong note (always in the worst place!).  These inevitabilites aside, there is a certain energy and communication from live performances and I'm happy to present a wide variety of music for piano, harpsichord and organ.  As circumstances permit I will change the musical offerings here from time to time.  Please come back!

    To listen, click on the title of any piece, and when it's finished, use your browser's "back" button to return to this page if you want to listen to more music.

    From my home town....

    Organ Music from the Community of Christ (formerly R.L.D.S.) Auditorium and Temple in Independence, Missouri.



    Performed on The Auditorium Organ:
    Aeolian Skinner Op. 1309, 1959.  IV/114

    MAX REGER  1973-1916
    Toccata in D Minor, Op. 59, No. 5

    JOHANN SEBASTIAN BACH 1685-1750
    Trio on Allein Gott in der Hoh sei Ehr  BWV 662

    MAURICE DURUFLE  1902-1986
    Scherzo, Op. 2

    GUY BOVET  b. 1942
    Salamanca (from Trois Preludes Hambourgeois)

    LOUIS VIERNE  1870-1937
    Berceuse (from 24 Pieces in style libre, Op. 31)
    Naiades (from Pieces de Fantaisie, Op. 55)

    HEALEY WILLAN  1880-1968
    Introduction, Passacaglia and Fugue in E-flat Minor


    Performed on The Temple Organ:
    Casavant Freres, Op. 3700, 1992.  IV/102.

    FRANCOIS COUPERIN
    1668-1733
    from Messe Pour les Pariosses:
    Kyrie en taille and Fugue sur les Jeux d'Anches
    Tierce en taille
    Offertoire sur les Grands Jeux


    EUGENE GIGOUT  1844-1925
    Scherzo (from Dix Pieces)

    CHARLES-MARIE WIDOR  1844-1934
    Andante sostenuto (from Symphonie Gothique, Op. 70)

    MARCEL DUPRE  1886-1971
    from Variations sur un Vieux Noel, Op. 20
    Fugato - Non troppo vivace; Presto

    From Here and There

    From Ohio Wesleyan University, Delaware Ohio
    Johannes Klais Orgelbau, 1980.  IV/82

    JOHANN SEBASTIAN BACH
    Fantasia in G Minor  BWV 542i

    From The Brick Presbyterian Church, New York City
    Casavant Freres, Op. 3837, 2005.  IV/118

    CESAR FRANCK 1822-1890
    Choral No. 2 in B Minor

    MAURICE DURUFLE
    Toccata (from Suite, Op. 5)


     

    Bach on the Bamboo Organ was recorded as the last 'event' of nearly a month's work of preparation and performance at the twenty-first International Bamboo Organ Festival in 1996.  Manila is another city, like New York, that doesn't sleep, and the constant traffic outside the walls of St. Joseph's Church in Las Pinas required the recording sessions to begin at 2 a.m. (!)  Even at this early hour, police and festival volunteers had to stop traffic on the busy road while we recorded as much as we could before impatient motorists complained with their horns.  We would stop for a few minutes and then try our luck again and take up where we left off.  Although this recording contains edits and is not technically a "live" performance, given the time restraints to get everything on tape we were not allowed to go back and re-record ... we had to get it right the first time.  No pressure!

    As this recording is o
    ut-of-print I've taken the liberty of including the entire concerto here.  The "clacking" noise you hear on the recording is the organ's primitive key action.  Please take a moment to check out the above link and learn more about this charming and noble instrument.

    JOHANN SEBASTIAN BACH

    Keyboard Concerto in D Minor BWV 1052
    with the Bamboo Organ Festival Orchestra

    Allegro
    Adagio
    Allegro



    From the Harpsichord....

    JOHANN SEBASTIAN BACH
    Fugue in D Major BWV850ii (from The Well-Tempered Clavier, Book I)


    Allegro (from The Fifth Brandenburg Concerto)
    with the Lexington (Michigan) Bach Festival Orchestra


    From the Piano....



    JOHANN SEBASTIAN BACH
    Prelude in c-sharp Minor BWV 849i
    (from The Well-Tempered Clavier, Book I)


    CHARLES GRIFFES  1884-1920
    The White Peacock (from Roman Sketches, Op. 7)

    FREDERIC CHOPIN  1810-1849
    Scherzo in C-sharp Minor, Op. 29

    I thought about subtitling this track "The Flight of the Bumblebee" in honor of the unidentified insect that insisted on buzzing me throughout this performance.  Those who know this piece will hear, just before the Coda, when the creature finally made contact.

    FELIX MENDELSSOHN 1809-1847
    Three Songs Without Words
    E-Major, Op. 19, No. 1
    F-sharp Minor, Op. 30, No. 12 (Venetian Boat Song)
    C Major, Op. 67, No, 34 (Spinning Song)

    SERGEI RACHMANINOFF 1873-1943
    Prelude in G-sharp Minor, Op. 32, No. 12

    ENRIQUE GRANADOS  1867-1916
    The Maiden and the Nightengale (from Goyescas)

    CLAUDE DEBUSSY 1862-1918
    L'Isle Joyeuse

    WOLFGANG AMADEUS MOZART 1756-1791
    Piano Concerto in A Major, K488
    with the Lexington (Michigan) Bach Festival Orchestra, Don Th. Jaeger, conducting
    Allegro

    Organ and Piano Duos was my first album.  It was recorded at the Episcopal Cathedral in Trenton, New Jersey, on April 24, 1984.  Rollin Smith, organist, and I had intended to spend two evenings getting this album "in the can," but discovered, to our deep dismay when we arrived, that the Cathedral's temperature was too cold and it wasn't possible to "un-tune" the rented Steinway concert grand enough to get it in tune with the organ.  We quickly made a deal with the Cathedral building manager for some heat and returned the next night for a grueling marathon recording session.  This was very much a "learning by doing" experience for me and I foolishly saved the most difficult piece for last, which was very difficult to get right at 6 a.m. after having recorded all night!

    CAMILLE SAINT-SAENS 1835-1921
    From Six Duos for Piano and Organ, Op. 8
    with Rollin Smith, organ
    Chorale
    Scherzo

    LUDWIG VAN BEETHOVEN
      1770-1827

    Triple Concerto for Violin, Cello and Piano in C Major, Op. 56
    with Caroline Goulding, violin, and Matthew Allen, cello
    The Lexington Bach Festival Orchestra, Don Th. Jaeger, conducting

    Rondo alla Polacca